McSWEENEY’S QUARTERLY GIFT SUBSCRIPTION

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“A key barometer of the literary climate.”
—The New York Times

“Brilliant and always surprising.”
—Detroit Free Press

Looking for the perfect gift for the lover of literature in your life? Subscribe now and send them the next four issues of our always surprising, always redesigned, three-time National Magazine Award-winning literary journal, featuring the best fiction and nonfiction we can get our hands on, delivered right to their doorstep.

Here’s what we’ve got up our collective sleeve for the future:

McSweeney’s Issue 70
Inside issue 70—compiled by deputy editor James Yeh—you’ll find brilliant fiction (and two essays) from places near and far; including Patrick Cottrell’s story about a surprisingly indelible Denver bar experience; poignant, previously untranslated fiction from beloved Danish writer Tove Ditlevsen; Argentine writer Olivia Gallo’s English-language debut about rampaging urban clowns; the rise and fall of an unusual family of undocumented workers in rural California by Francisco González; and Indian writer Amit Chaudhuri’s sojourn to the childhood home of Brooklyn native Neil Diamond. Readers will be sure to delight in Guggenheim fellowship recipient Edward Gauvin’s novella-length memoir-of-sorts in the form of contributors’ notes, absorbing short stories about a celebrated pianist (Lisa Hsiao Chen) and a reclusive science-fiction novelist (Eugene Lim), flash fiction by Véronique Darwin and Kevin Hyde, and a suite of thirty-six very short stories by the outsider poet Sparrow. Plus letters from Seoul, Buenos Aires, Las Vegas, Philadelphia, and Lake Zurich, Illinois, by E. Tammy Kim, Drew Millard, and more.

McSweeney’s 71: The Monstrous and the Terrible
Our first-ever issue-length foray into horror, and featuring one of our biggest lineups in some time, our seventy-first issue is one for the ages. Guest edited by Brian Evenson, McSweeney’s 71: The Monstrous and the Terrible is a hair-raising collection of fiction that will challenge the notion of what horror has been, and suggest what twenty-first-century horror is and can be. And it’s all packaged in a mind-bending, nesting-doll-like series of interlocking slipcases that must be seen to be believed.

There’s Stephen Graham Jones’s eerie take on the alien abduction story, Mariana Enríquez’s haunting tale of childhood hijinks gone awry, and Jeffrey Ford on a writer who loses control of his characters. Nick Antosca (cocreator of the award-winning TV series The Act) spins out a novelette about the hidden horrors of wine country. There’s Kristine Ong Muslim exploring environmental horror in the Philippines; a sharp-edged folk tale by Gabino Iglesias, and Diné writer Natanya Ann Pulley reimagining sci-fi horror from an Indigenous perspective. Hungarian writer Attila Veres proffers a dark take on the not-so-hidden sociopathy of multilevel marketing. And Erika T. Wurth explores the dark gaps leading to other worlds. If that weren’t enough: an excerpt from a new novel by Brandon Hobson; a chilling allegorical horror story by Senaa Ahmad; a Lovecraftian bildungsroman by Lincoln Michel; unsettling dream cities from Nick Mamatas; M. T. Anderson’s exceptionally weird take on babysitting; and, improbably, much more.

And then?
Keep an eye out for our upcoming manifesto and twenty-fifth anniversary issues, plus more thrilling and innovative collections of the kind of cutting-edge literary content readers of McSweeney’s Quarterly Concern have come to expect for over two decades.

Looking to get your future McSweeney’s reader caught up? Send them Issues 63–67 for one low price with our latest catch-up bundle.

Praise for McSweeney’s Quarterly Concern

“There are few examples in publishing that equal the care and inventiveness McSweeney’s offers their readers—the industry at large should take note. I return to past issues more than most of the tomes on my shelves any time I need to re-spark my belief in publishing, in stories, in people.”
—Bookends and Beginnings, Evanston, IL

“The first bona fide literary movement in decades.”
—Slate

“Ever shape-shifting and ambitious, McSweeney’s has redefined what a literary institution can be. Their commitment to publishing strong, strange voices and stories from the periphery has always been an inspiration and I’m always excited to see what they’ll do next.”
—Catherine Lacey, McSweeney’s contributor and author of The Answers

“McSweeney’s is so much more than a magazine; it’s a vital part of our culture.”
—Geoff Dyer, McSweeney’s contributor and author of Jeff in Venice, Death in Varanasi and Otherwise Known as the Human Condition

“Some magazines are comfort reads. We turn to them because we can almost predict, issue to issue, what and even who will appear in them. But others, like McSweeney’s, are challenge reads. They’re feverishly inventive, discomfortingly surprising, and therefore among the best reminders that we are actually alive. I love shouting at McSweeney’s, laughing with it, and rolling my eyes at myself while the magazine reads me like a deceptively perceptive carnival psychic.”
—John D’Agata, author of Halls of Fame and About a Mountain

“I’m incredibly grateful for the existence of McSweeney’s. Its embrace of world literature is completely unique, lucid, knowing and indispensable.”
—Francisco Goldman, McSweeney’s contributor and acclaimed author of The Interior Circuit: A Mexico City Chronicle and The Art of Political Murder: Who Killed the Bishop?

This is the page for a Quarterly gift subscription. Gift subscriptions do not automatically renew, and are good for four issues. All subscriptions placed by July 15, 2023, will begin with McSweeney’s 70. To view back issues, click here. Looking for an automatically renewing subscription for yourself? Click here.