McSWEENEY’S QUARTERLY CONCERN SUBSCRIPTION
—The New York Times
“The first bona fide literary movement in decades.”
“An enduring literary presence.”
A three-time winner and eight-time finalist of the National Magazine Award for fiction. Get up to date with our newest catch-up bundle here.
McSweeney’s Quarterly Concern began in 1998 as a literary journal that published only works rejected by other magazines. That rule was soon abandoned, and since then McSweeney’s has attracted some of the finest writers in the world, from George Saunders and Lydia Davis, to Chimamanda Ngozi Adichie and David Foster Wallace. Recent issues have featured work by Tommy Orange, Hanif Abdurraqib, Lisa Taddeo, Mimi Lok, and Lesley Nneka Arimah. At the same time, the journal continues to be a major home for new and unpublished writers; we’re committed to publishing exciting fiction regardless of pedigree.
Each issue is completely redesigned—a unique work of art. Some issues are hardcovers, some are paperbacks, one issue came in a box shaped like a sweaty human head, one was disguised as a bag of party balloons, one looked like a pile of junk mail.
McSweeney’s has won multiple literary awards, including three National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award.
Here’s what we’ve got up our collective sleeve for the future:
McSweeney’s Issue 64: The Audio Issue
Combining art, fiction, audio, and a slew of unclassifiable print objects in a custom box, McSweeney’s 64 is a riotous exploration of audiovisual storytelling, coproduced with Radiotopia from PRX (home to genius, independent audio creators including Song Exploder, Criminal, Ear Hustle, and more). Each piece in the issue establishes its own relationship between audio and print—the contributor’s unique experiment in weaving the mediums.
Included are Rion Amilcar Scott with a short fiction piece featuring two alternative audio endings; Pulitzer Prize-nominated composer Kate Soper with a transhumanist, interactive software upload; DeafBlind poet John Lee Clark on the limits of accessibility; Claudia Dey, Jason Reynolds, Renee Gladman, Sharon Mashihi, and more taking us on audio tours of our own homes; Aliya Pabani with a radio drama whose plot is complicated by a 24″ x 30″ illustrated poster; Ian Chillag with an absurdist, interactive phone tree; James T. Green, Catherine Lacey, and This American Life’s Sean Cole with voicemail dispatches to the editor; National Book Award-finalist Kali Fajardo-Anstine, Aimee Bender, and Kelli Jo Ford with short stories that braid in audio; and so much more.
Keep an eyes out in the rest of 2021 for two more thrilling and innovative collections of the kind of cutting-edge literary content readers of McSweeney’s Quarterly Concern have come to expect for over two decades.
Praise for McSweeney’s Quarterly Concern
“There are few examples in publishing that equal the care and inventiveness McSweeney’s offers their readers—the industry at large should take note. I return to past issues more than most of the tomes on my shelves any time I need to re-spark my belief in publishing, in stories, in people.”
—Bookends and Beginnings, Evanston, IL
“Ever shape-shifting and ambitious, McSweeney’s has redefined what a literary institution can be. Their commitment to publishing strong, strange voices and stories from the periphery has always been an inspiration and I’m always excited to see what they’ll do next.”
—Catherine Lacey, McSweeney’s contributor and author of The Answers
“McSweeney’s is so much more than a magazine; it’s a vital part of our culture. ”
—Geoff Dyer, McSweeney’s contributor and author of Jeff in Venice, Death in Varanasi and Otherwise Known as the Human Condition
“Some magazines are comfort reads. We turn to them because we can almost predict, issue to issue, what and even who will appear in them. But others, like McSweeney’s, are challenge reads. They’re feverishly inventive, discomfortingly surprising, and therefore among the best reminders that we are actually alive. I love shouting at McSweeney’s, laughing with it, and rolling my eyes at myself while the magazine reads me like a deceptively perceptive carnival psychic.”
—John D’Agata, author of Halls of Fame and About a Mountain
“I’m incredibly grateful for the existence of McSweeney’s. Its embrace of world literature is completely unique, lucid, knowing and indispensable.”
—Francisco Goldman, McSweeney’s contributor and acclaimed author of The Interior Circuit: A Mexico City Chronicle and The Art of Political Murder: Who Killed the Bishop?
To view back issues, including McSweeney’s 62, our Queer fiction issue, click here. For a combination subscription to both McSweeney’s Quarterly and Illustoria magazine for young readers, click here. For a combination subscription to both McSweeney’s Quarterly and our New Release Subscription, click here.
IMPORTANT LOGISTICAL INFORMATION: Subscriptions placed by November 15 will begin with McSweeney’s 64: The Audio Issue. All subscriptions to McSweeney’s Quarterly automatically renew after four issues, at a reduced price of $75. In the event of any future rate changes, we will notify you via email. If you’d like to cancel your subscription at any time prior to its auto-renewal, you can log in to your account and adjust your subscription settings. Or send an email to firstname.lastname@example.org with the subject line ”End Quarterly Autorenew”. Or call (415) 642-5609. Refunds will be accepted only up until the first issue of your renewal is shipped. If you’d like to give the Quarterly Concern as a one-time gift, purchase a gift subscription here. Any subscription purchased with the “gift” option marked at checkout will not be enrolled in autorenew.
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Giving this subscription as a gift? Click here to download an official printable PDF gift notice.