McSWEENEY’S NEW RELEASE AND QUARTERLY COMBO SUBSCRIPTION

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“There are few examples in publishing that equal the care and inventiveness McSweeney’s offers their readers—the industry at large should take note.”
—Bookends and Beginnings, Evanston, IL

Life is too short to worry about not having enough reading material. That’s why we’ve decided to combine two of our most popular long-standing subscriptions into one super-sized combo, bringing you no fewer than ten McSweeney’s publications—and one special tote—straight to your mailbox. You’ll get four issues of our ever-changing, always boundary-pushing, National Magazine Award-winning literary journal McSweeney’s Quarterly Concern, PLUS the next six titles from our books division, sent prior to or upon publication and bundled with special letters of introduction from the authors themselves. On their own, these books and quarterlies can retail anywhere from $16 to $30, so this is truly a deal worth writing home about. And, like the cheesiest of infomercials, that’s not all! Combo subscribers will also be sent a beautiful green McSweeney’s tote immediately upon purchase.

Take a look at what you’ll have coming your way:

McSweeney’s Issue 70
Inside Issue 70—compiled by deputy editor James Yeh—you’ll find brilliant fiction (and two essays) from places near and far; including Patrick Cottrell’s story about a surprisingly indelible Denver bar experience; poignant, previously untranslated fiction from beloved Danish writer Tove Ditlevsen; Argentine writer Olivia Gallo’s English language debut about rampaging urban clowns; the rise and fall of an unusual family of undocumented workers in rural California by Francisco González; and Indian writer Amit Chaudhuri’s sojourn to the childhood home of Brooklyn native Neil Diamond. Readers will be sure to delight in Guggenheim recipient Edward Gauvin’s novella-length memoir-of-sorts in the form of contributors’ notes, absorbing short stories about a celebrated pianist (Lisa Hsiao Chen) and a reclusive science-fiction novelist (Eugene Lim), flash fiction by Véronique Darwin and Kevin Hyde, and a suite of thirty-six very short stories by the outsider poet Sparrow. Plus letters from Seoul, Buenos Aires, Las Vegas, Philadelphia, and Lake Zurich, Illinois, by E. Tammy Kim, Drew Millard, and more.

Daddy Boy by Emerson Whitney
After a decade-long relationship with a dominatrix he called Daddy, Emerson Whitney had begun to crave something besides submission. It came as a full surprise—submission had been so central to his early adulthood, to his trans identity. Dizzied by new questions of control and aging, and living in a tent while his relationship ends, Emerson stumbles upon an advertisement for a storm-chasing tour. “For thrill seekers,” it says. Unsure what else to do, he signs up.

Daddy Boy follows Emerson as he packs into a van full of strangers and drives up and down the country—staying in Days Inns and eating bags of carrots from Walmart and wanting nothing more than to surrender to the force of a colossal storm. “We had no idea where we were going,” Emerson writes, “just waiting for one cloud to pop.” Roaming the prairie landscape of his childhood, Emerson recalls his adoptive dad, Hank‚ unflinching and extremely Texan, and his biological dad, who was rarely around. From the van’s trash-strewn back seat, and in the face of these looming figures, Emerson begins to wonder: Did he want to be Daddy now?

Shadow Act: An Elegy for Journalist James Foley by Daniel Brock Johnson
In his second collection—a powerful act of documentary poetics a decade in the making—Daniel Brock Johnson chronicles the perils and joys of fatherhood alongside a shattering tragedy that plays out thousands of miles away. Nearly two years after the poet’s closest friend, journalist James Foley, went missing, he was executed by ISIS in Syria. In this poetic daybook like no other, Johnson often speaks directly to his missing friend—“I don’t know, Jim, where you are,” even long after his death.

Page to page, Foley haunts the book—as the poet hails the birth of children, recounts hunting for the body of a neighbor’s missing cat, and, later, pores over the hand-written pages that Foley smuggled out of a Libyan prison in his shoe. Johnson crafts a vibrant, urgent collection that pulses with the terror and hardship Foley faced, the anguish of those he left behind, and the everlasting friendship between the two men. During a time of great collective trauma and mourning, this heartfelt, formally rich collection tackles the question: “How do you go on living, loving, and creating in the face of unthinkable loss?”

McSweeney’s 71: The Monstrous and the Terrible
Our first-ever issue-length foray into horror, and featuring one of our biggest lineups in some time, our seventy-first issue is one for the ages. Guest edited by Brian Evenson, McSweeney’s 71: The Monstrous and the Terrible is a hair-raising collection of fiction that will challenge the notion of what horror has been, and suggest what twenty-first-century horror is and can be. And it’s all packaged in a mind-bending, nesting-doll-like series of interlocking slipcases that must be seen to be believed.

There’s Stephen Graham Jones’s eerie take on the alien abduction story, Mariana Enríquez’s haunting tale of childhood hijinks gone awry, and Jeffrey Ford on a writer who loses control of his characters. Nick Antosca (cocreator of the award-winning TV series The Act) spins out a novelette about the hidden horrors of wine country. There’s Kristine Ong Muslim exploring environmental horror in the Philippines; a sharp-edged folk tale by Gabino Iglesias, and Diné writer Natanya Ann Pulley reimagining sci-fi horror from an indigenous perspective. Hungarian writer Attila Veres proffers a dark take on the not-so-hidden sociopathy of multi-level marketing. And Erika T. Wurth explores the dark gaps leading to other worlds. If that weren’t enough: an excerpt from a new novel by Brandon Hobson; a chilling allegorical horror story by Senaa Ahmad; a Lovecraftian bildungsroman by Lincoln Michel; unsettling dream cities from Nick Mamatas; M. T. Anderson’s exceptionally weird take on babysitting; and, improbably, much more.

And then?
Keep an eye out in 2022 for three more thrilling and innovative collections of the kind of cutting-edge literary content readers of McSweeney’s Quarterly Concern have come to expect for over two decades. Plus, unforgettable works of fiction and nonfiction from McSweeney’s Publishing.

Praise for McSweeney’s Quarterly Concern

“A key barometer of the literary climate.”
—The New York Times

“The first bona fide literary movement in decades.”
—Slate

“Ever shape-shifting and ambitious, McSweeney’s has redefined what a literary institution can be. Their commitment to publishing strong, strange voices and stories from the periphery has always been an inspiration and I’m always excited to see what they’ll do next.”
—Catherine Lacey, McSweeney’s contributor and author of The Answers

“McSweeney’s is so much more than a magazine; it’s a vital part of our culture.”
—Geoff Dyer, McSweeney’s contributor and author of Jeff in Venice, Death in Varanasi and Otherwise Known as the Human Condition

“Some magazines are comfort reads. We turn to them because we can almost predict, issue to issue, what and even who will appear in them. But others, like McSweeney’s, are challenge reads. They’re feverishly inventive, discomfortingly surprising, and therefore among the best reminders that we are actually alive. I love shouting at McSweeney’s, laughing with it, and rolling my eyes at myself while the magazine reads me like a deceptively perceptive carnival psychic.”
—John D’Agata, author of Halls of Fame and About a Mountain

“I’m incredibly grateful for the existence of McSweeney’s. Its embrace of world literature is completely unique, lucid, knowing, and indispensable.”
—Francisco Goldman, McSweeney’s contributor and acclaimed author of The Interior Circuit: A Mexico City Chronicle and The Art of Political Murder: Who Killed the Bishop?



IMPORTANT LOGISTICAL INFORMATION: All subscriptions placed before July 15, 2023 will begin with McSweeney’s 70, and Daddy Boy. All subscriptions to McSweeney’s Quarterly automatically renew after four issues, at a reduced price of $80, while the McSweeney’s New Release Subscription renews after six issues at a price of $95. In the event of any future rate changes, we will notify you via email. If you’d like to cancel either subscription at any time prior to its auto-renewal, you can log in to your account and adjust your subscription settings. Or send an email to custservice@mcsweeneys.net with the subject lines “End Quarterly Renew,” “End New Release Renew,” or “End Combo Renew” depending on your desires. Refunds will be accepted only up until the first issue of your renewal is shipped. If you’d like to give the Quarterly Concern as a one-time gift, purchase a gift subscription here. Any subscription purchased with the “gift” option marked at checkout will not be enrolled in autorenew.

International shipping costs for the full ten-book combo subscription: $70