McSWEENEY’S NEW RELEASE AND QUARTERLY COMBO SUBSCRIPTION

Giving this combo subscription as a gift? Click here to download an official printable PDF gift notice.

This is the combo subscription for both McSweeney’s New Release Subscription and McSweeney’s Quarterly. For just the New Release Subscription, click here. For just the Quarterly, click here.

“There are few examples in publishing that equal the care and inventiveness McSweeney’s offers their readers—the industry at large should take note.”
—Bookends and Beginnings, Evanston, IL

Life is too short to worry about not having enough reading material. That’s why we’ve decided to combine two of our most popular long-standing subscriptions into one super-sized combo, bringing you no fewer than ten McSweeney’s publications—and one special tote—straight to your mailbox. You’ll get four issues of our ever-changing, always boundary-pushing, National Magazine Award-winning literary journal McSweeney’s Quarterly Concern, PLUS the next six titles from our books division, sent prior to or upon publication and bundled with special letters of introduction from the authors themselves. On their own, these books and quarterlies can retail anywhere from $16 to $30, so this is truly a deal worth writing home about. And, like the cheesiest of infomercials, that’s not all! Combo subscribers will also be sent a beautiful green McSweeney’s tote immediately upon purchase.

Take a look at what you’ll have coming your way:

McSweeney’s 71: The Monstrous and the Terrible
Our first-ever issue-length foray into horror, and featuring one of our biggest lineups in some time, our seventy-first issue is one for the ages. Guest edited by Brian Evenson, McSweeney’s 71: The Monstrous and the Terrible is a hair-raising collection of fiction that will challenge the notion of what horror has been, and suggest what twenty-first-century horror is and can be. And it’s all packaged in a mind-bending, nesting-doll-like series of interlocking slipcases that must be seen to be believed.

There’s Stephen Graham Jones’s eerie take on the alien abduction story, Mariana Enríquez’s haunting tale of childhood hijinks gone awry, and Jeffrey Ford on a writer who loses control of his characters. Nick Antosca (cocreator of the award-winning TV series The Act) spins out a novelette about the hidden horrors of wine country. There’s Kristine Ong Muslim exploring environmental horror in the Philippines; a sharp-edged folk tale by Gabino Iglesias, and Diné writer Natanya Ann Pulley reimagining sci-fi horror from an Indigenous perspective. Hungarian writer Attila Veres proffers a dark take on the not-so-hidden sociopathy of multilevel marketing. And Erika T. Wurth explores the dark gaps leading to other worlds. If that weren’t enough: an excerpt from a new novel by Brandon Hobson; a chilling allegorical horror story by Senaa Ahmad; a Lovecraftian bildungsroman by Lincoln Michel; unsettling dream cities from Nick Mamatas; M. T. Anderson’s exceptionally weird take on babysitting; and, improbably, much more.

Rotten Evidence: Reading and Writing in an Egyptian Prison by Ahmed Naji
Translated by Katharine Halls

In February 2016, Ahmed Naji was sentenced to two years in prison for “violating public decency,” after an excerpt of his novel Using Life reportedly caused a reader to experience heart palpitations. Naji ultimately served ten months of that sentence, in a group cellblock in Cairo’s Tora Prison.

Rotten Evidence is a chronicle of those months. Through Naji’s writing, the world of Egyptian prison comes into vivid focus, with its cigarette-based economy, homemade chess sets, and well-groomed fixers. Naji’s storytelling is lively and uncompromising, filled with rare insights into both the mundane and grand questions he confronts.

How does one secure a steady supply of fresh vegetables without refrigeration? How does one write and revise a novel in a single notebook? Fight boredom? Build a clothes hanger? Negotiate with the chief of intelligence? And, most crucially, how does one make sense of a senseless oppression: finding oneself in prison for the act of writing fiction? Genuine and defiant, this book stands as a testament to the power of the creative mind, in the face of authoritarian censorship.

Pay As You Go by Eskor David Johnson
Longlisted for the Center for Fiction 2023 First Novel Prize

New to town and delusionally confident, Slide imagined himself living in a glossy building with doormen and sweeping views of the skyline. Instead he’s landed in a creaking, stuffy apartment with two roommates: a loping giant who hardly leaves his room, and a weight-obsessed neurotic who keeps no fewer than forty-seven lamps throughout the house, blazing at all hours.

Unwilling to accept this fate, Slide—a barber with an opaque past—embarks on a quest for the perfect apartment, pinballing through the sprawling, madcap city of Polis and its endless procession of neighborhoods. As he bounces from foldout couch to disaster-relief tent, falling in with some tough types, Slide begins to realize that he’s going to have to scratch and claw just to claim a place for himself in this world—let alone a place with in-unit laundry.

An exuberant, fantastical odyssey, Pay As You Go wonders if what we’re searching for is ever really out there. Its pages—surreal, biting, and teeming with life—announce the startling talents of Eskor David Johnson, who knows that all any of us really want is a place to rest our head.



And then?
Keep an eye out in 2023 for three more thrilling and innovative collections of the kind of cutting-edge literary content readers of McSweeney’s Quarterly Concern have come to expect for over two decades. Plus, unforgettable works of fiction and nonfiction from McSweeney’s Publishing.

Praise for McSweeney’s Quarterly Concern

“A key barometer of the literary climate.”
—The New York Times

“The first bona fide literary movement in decades.”
—Slate

“Ever shape-shifting and ambitious, McSweeney’s has redefined what a literary institution can be. Their commitment to publishing strong, strange voices and stories from the periphery has always been an inspiration and I’m always excited to see what they’ll do next.”
—Catherine Lacey, McSweeney’s contributor and author of The Answers

“McSweeney’s is so much more than a magazine; it’s a vital part of our culture.”
—Geoff Dyer, McSweeney’s contributor and author of Jeff in Venice, Death in Varanasi and Otherwise Known as the Human Condition

“Some magazines are comfort reads. We turn to them because we can almost predict, issue to issue, what and even who will appear in them. But others, like McSweeney’s, are challenge reads. They’re feverishly inventive, discomfortingly surprising, and therefore among the best reminders that we are actually alive. I love shouting at McSweeney’s, laughing with it, and rolling my eyes at myself while the magazine reads me like a deceptively perceptive carnival psychic.”
—John D’Agata, author of Halls of Fame and About a Mountain

“I’m incredibly grateful for the existence of McSweeney’s. Its embrace of world literature is completely unique, lucid, knowing, and indispensable.”
—Francisco Goldman, McSweeney’s contributor and acclaimed author of The Interior Circuit: A Mexico City Chronicle and The Art of Political Murder: Who Killed the Bishop?



IMPORTANT LOGISTICAL INFORMATION: All subscriptions placed before October 1, 2023 will begin with McSweeney’s 71: The Monstrous and the Terrible, and Rotten Evidence. All subscriptions to McSweeney’s Quarterly automatically renew after four issues, at 15% off the price of a regular sub (currently $80.75), while the McSweeney’s New Release Subscription renews after six issues at a price of $95. In the event of any future rate changes, we will notify you via email. If you’d like to cancel either subscription at any time prior to its auto-renewal, you can log in to your account and adjust your subscription settings. Or send an email to custservice@mcsweeneys.net with the subject lines “End Quarterly Renew,” “End New Release Renew,” or “End Combo Renew” depending on your desires. Refunds will be accepted only up until the first issue of your renewal is shipped. If you’d like to give the Quarterly Concern as a one-time gift, purchase a gift subscription here. Any subscription purchased with the “gift” option marked at checkout will not be enrolled in autorenew.

International shipping costs for the full ten-book combo subscription: $70